Creolization in Music - Dutch
In chapter 3 of "Tour de Force: A Musical Journey of the Caribbean", there were a few
examples of creolization. I will focus on two. The first being the emergence of string bands.
This music style came to the Caribbean in the 19th century from Europe. According to the
book "Tour de Force: A Musical Journey of the Caribbean", these bands originally played
European dance music at the parties of upper classes and enslaved workers "often played in
these ensembles.". Because of their involvement, in the Caribbean the popularity grew and
adopted the local musical styles while still using some of the European instruments. This
combination makes for unique sounds, depending on the Caribbean island you go to. Some
instruments you would find in the string band, particularly in St. Maarten are a banjo, guitar,
accordion, marimba, tambora drum and güiro. You can see here where these bands get their
name from; most of the instruments used are stringed, or chordophones. Enslaved workers in
the Caribbean were obviously not as privileged as Europeans and so would have to make their
own instruments from whatever material was at hand. In the Dutch Caribbean island of St.
Maarten, string bands provided music at parties, dances or at official public events. Below is a
photo of the famous string band group, Tanny & The Boys.
Here is a video of Tanny & The Boys performing "Play My Saxophone". I really enjoyed
this song because I could hear the influences taken from calypso and merengue music. When I
first heard this, I could just imagine walking off of a cruise ship to St. Maarten and being
greeted with this and ready to chill by the beach. The polyrhythm in this song is also
incredible. I listened multiple times just so that I could try to hear the different instruments
playing because they all came together so beautifully.
Another example of creolization in the Dutch-Caribbean, is the Antillean waltz. Waltz
music is a style of classical music often written in 3/4 time and is often accompanied with
ballroom dancing. In Curaçao, the parties of the elite would often have waltzes which were
played with a ka'i òrgel. This instrument offered some syncopation to the waltzes and thus
helped to birth the Antillean waltz. Here is a photo of one below.
Wim Statius Muller was a composer and pianist and was known as the Chopin of Curaçao,
whom was one of his idols. Muller often created Caribbean influenced waltzes with European
structure but African flairs to connect to his homeland. Here is a video below of Christian
Kuyvenhoven playing one of Muller's waltzes. I chose this video because I liked the melody
of this waltz in particular. It is fast and very lighthearted. A lot of the European waltzes that I
listened to were strong and emotional in a sense so I really grew a fondness for the Antillean
waltz.
Christiaan Kuyvenhoven. (2021, June 16). W. Statius Muller - Avila Beach, Waltz Op.4/2 | Summer vibes with the Chopin from Curaçao! [Video]. YouTube. https://www.youtube.com/watch?v=MYYjpCd4KZE
Gangelhoff, C., & LeGrand, C. (2019). Tour de Force: A Musical Journey of the Caribbean (1st ed.). Sound Caribbean. https://online.vitalsource.com/reader/books/9789769624900/epubcfi/6/2[%3Bvnd.vst.idref%3DTour_deForce_epub_8.16.19-1]!/4[Tour_deForce_epub_8.16.19-1]/2[_idContainer000]/2%4050:3
Profile of Tanny & The Boys string band. (2002). House of Nehesi Publishers. http://houseofnehesipublish.com/sxm/tanny-the-boys/
Steven J Magras. (2015, October 23). Tanny and the Boys St Maarten String Band Music [Video]. YouTube. https://www.youtube.com/watch?v=DXTGQdVHP-o
Van Ditzhuijzen, J., & Wolfert, S. (2018, September 7). 2019: Year of the Ka’i Organ. ditzschrift.nl. http://jeannette.ditzschrijft.nl/?tag=kai-orgel


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