Capron_MUSI322

          In chapter 3 of "Tour de Force: A Musical Journey of the Caribbean", there were a few  examples of creolization. I will focus on two. The first being the emergence of string bands.  This music style came to the Caribbean in the 19th century from Europe. According to the  book "Tour de Force: A Musical Journey of the Caribbean", these bands originally played  European dance music at the parties of upper classes and enslaved workers "often played in  these ensembles.". Because of their involvement, in the Caribbean the popularity grew and  adopted the local musical styles while still using some of the European instruments. This  combination makes for unique sounds, depending on the Caribbean island you go to. Some  instruments you would find in the string band, particularly in St. Maarten are a banjo, guitar,  accordion, marimba, tambora drum and g üiro. You can see here where these bands get their  ...

       In chapter 2 of "Tour de Force: A Musical Journey of the Caribbean", I was introduced to many interesting musical styles. These all came from French-Caribbean countries. Just like slaves from countries at the hands of Great Britain, slaves under French control had their cultural practices suppressed. Therefore, they were forced to adopt some French music and dances while still holding some African flair.      The first example of a creolized music style is Zouk. Zouk is an "amalgamation of a wide variety of local and imported musical styles"  (Gangelhoff & LeGrand, 2019). Zouk music is not specific to one Caribbean country, but a few being Martinique, Guadaloupe and Haiti. Zouk was first known as a dance party, and was derived from the French word 'secouer' that means to 'to shake' (Evans, 2023). Zouk music is sung in French Creole making it accessible and popularized to a larger audience. Zouk includes traditional and high tech instrum...